So I got out my gelatin plate (a store bought Gelli plate) and I mixed up paints in similar colors to the ones on Continuity and I monoprinted some fabrics on cotton muslin. I wanted to use hexagon shapes in the background, so to create those, this is how I did it using two toilet paper rolls, duct tape, and some wire:
1.) I measured one-inch intervals on the wire strip and bent it at one-inch intervals until I had six sides. (I used a printed hexagon as a template to get the angle correct.)
2.) I cut up the side of one of the toilet paper rolls lengthwise.
3.) I cut up a one-inch length on the other toilet paper roll and taped it into the other roll to make it larger.
4.) I wrapped the six-sided wire strip around one end of the newly formed toilet paper roll and bent the end of the roll into a hexagon, wrapping duct tape securely around the wire so that it would hold its hexagon shape. And voila, I had a hexagon stamp.
my sturdy hexagon stamp |
And here are some of my fabrics after printing.
This collage was made with the App Pic Collage |
Continuity II |
Wildflowers are a sight to see when they are in masses in fields and on the sides of the road. But they are in peril for several reasons. One of those is the disappearance of the honeybee. The flower and the bee depend upon each other. Will the flowers and the bees continue or will the cycle be broken and these shapes remain only in our imaginations?
As for my "failed" wildflower quilt. I think it needs more contrast in some areas and I'll work on it more some other time after I let it sit awhile. But I think it's important for me to post my not so good attempts here as well as the successes so that beginners can see that it's ok and normal for not all art to work out. It makes me feel less insecure when I see some expert artists post some of their "failed' attempts, too and when they discuss what went wrong.
In my last post I told you that I had big news. I've been accepted into Jane Dunnewold's three year Art Cloth Mastery Class in San Antonio. It involves me going out there to her studio five times during the three years and working in between sessions at home. The first session begins Sunday, March 6. She sent pre-assignments and I've been busy working on them for weeks. I've read poetry. I read Molly Bang's Picture This which was amazing. I've read many books on design and composition, but this one was exceptional. Also on the reading list was a book about Notan in which I learned a lot from doing the exercises in the book. I read Drawn To Stitch, which I had to review for the class. I had to prepare texture studies, collect color samples, and collect imagery for symbols I might want to work on for the three years. Needless to say, I'm very excited about it. I'm at a point in my artistic endeavors where I need a push and advice from someone with a lot of experience and I've admired her words and work for a long time so I'm jumping in.
I'm linking this late to Off The Wall Friday where you can find other art quilt blogs. Please make comments on there posts so that they know you stopped by. Thanks for visiting.
Your new wildflower piece is great, Regina. You make it sound so simple, yet when I look at the composition, it is so complex.
ReplyDeleteJane's class sounds like a wonderful opportunity for you! Enjoy! Enjoy! Enjoy!
Oh, what a wonderful comment! Thank you. I really tried to layer on symbolism with the shapes of honeycombs and the colors of sky, honey, just the outline of the flower for its possible disappearance, the hexagons overlapped for the cycles of nature overlapping, etc.
DeleteJust now getting to your post. I agree with Judy's comments and was going to pretty much write the same thing. It is a remarkable piece. You have inspired me to look into the books you read in preparation for Jane's class. Congratulations on the new challenge!
ReplyDeleteYour comment means a lot to me. Sometimes I really struggle with composition and am insecure about presenting my work. But this one clicked. Thank goodness some of them do. :)
Delete